No, not “faith restored” in the Mets. Oh sure, I’m still a practicing Mets fan. On the surface, I believe. But, deep down…
Let’s face it: as a Mets fan in 2013, it’s slim pickings when it comes to finding something to get all hot and bothered about.
Sure, watching Matt Harvey pitch is a delight. But through no fault of his own, it’s been a long time since he’s recorded a win. Yes, the Subway Series was a very welcome and wholly unexpected surprise. It felt awfully nice to put on some Mets gear and walk around with a certain amount of swagger in one’s step, am I right? Was anyone surprised that the Mets’ euphoria coming off the sweep of the Yankees in both stadiums was not enough to get even a single, stinkin’ win in Miami? I, for one, was not.
But here I am–frustrated, angry, and bored with my team–typing away excitedly on a blog post after having remained basically mute for a good long while.
It’s not my team, however, that has propelled me to the keyboard, but it is something familiar to baseball fans: the practice of singing “God Bless America” during the seventh-inning stretch.
The fact that this post-9/11 addition to “Take Me Out to the Ballgame” has remained a staple well beyond 2011–at every Yankee home game and at many stadiums on Sundays–has bothered me.
Come to find out, it bothers others too. It bothered a Methodist pastor in the Washington, DC area so much that he wrote a letter that appeared in the Washington Post recently. What followed were over 3,000 comments online, including my own, and a virtual dialogue on a subject that, lo and behold, has a lot of other people–including Christians like myself–hot around the collar as well.
So, I submit as my return to the Mets blogosphere the following post on a topic which, unlike the Mets’ playing this season, has inspired and excited me and ultimately motivated me to write again.
These are my comments, as posted in the online Comments section that appears below the original opinion in its online version. Please do read the original opinion. It is beautifully written and makes some excellent points.
By the way, while I might not condone public songs with religious connotations (except in the context of a religious service, of course), far be it from me to discourage any Met fan from saying a prayer–in private–for this team if he or she is so inclined. Heaven knows–pun intended–they need it!
A new opera blog with a youthful perspective, courtesy of my daughter! Please check it out!
Originally posted on Ms.OperaGeek:
All good things have an ending, but all endings have a new beginning. This phrase has been hovering in my mind. My name is Melanie Spector, and I am a seven year veteran of the Metropolitan Opera Children’s Chorus. I have been in eleven operas, cast nineteen different times, and have performed in 160 performances on the Met stage. These operas include Cavalleria Rusticana, Die Meistersinger von Nürnberg, Carmen, La Gioconda, La Damnation de Faust, Turandot, Hansel and Gretel, Attila, La Bohème, Boris Godunov, and finally, Parsifal.
Parsifal is a special, sentimental opera to me. My father introduced me to Wagner’s music when I was only in kindergarten, and I have been in love with it since. When I was eight years old, he took me to see the dress rehearsal of it at the Met, with René Pape as Gurnemanz, Ben Heppner as Parsifal, Thomas Hampson as Amfortas, and Waltraud Meier as Kundry. A few days later, on May 12, 2006, we attended the premiere, where my father’s friend whispered to my father, referring to me, after the two-hour first act, “She didn’t move.” I was hooked by this Wagnerian masterpiece, and understood the deep holiness that many adults even struggle to understand.
There is one more reason why I treasure and will treasure this opera in the future. I will be singing in Parsifal in the Met’s new production of it, opening this Friday night, February 15.
I was there.
I WAS THERE!
But, through the immediacy of social media, there were others not at Citi Field tonight who were there with me nonetheless.
Yes, I was one of the lucky Mets fans to experience live tonight–from the front row of the Excelsior Level, right behind Home Plate–the first no-hitter in the history of the Mets franchise, pitched by Johan Santana.
But, as the number of zeroes on the scoreboard began to climb, so did the anxiety and the trepidation. The angst was palpable: I saw it in my daughter’s and my husband’s faces; I saw it six seats down from me in the intense concentration on the face of WFAN’s Evan Roberts as well as in the death grip he held on the railing in front of him.
But I also “heard” it loud and clear in the voices fairly shouting on Twitter and Facebook.
I try to put my phone away during game-time, for the most part. I find that I miss too much of what’s going on in front of me if I don’t.
But with collective jitters permeating the atmosphere tonight, the distraction of my smart phone proved to be just the bit of short-term electronically-produced Xanax needed –at least while the Mets were at bat from about the sixth inning forward. (Did anyone else think that the bottom of the eighth inning set yet another franchise record for the LONGEST half-inning EVER?!)
Checking Twitter and Facebook late in the game when Johann was not on the mound, I was surprised to see a thread of comments inspired by a single tweet by fellow Mets blogger Greg Prince, of Faith and Fear in Flushing fame, in which he compared the spectacle we were all witnessing–in the ballpark, home, and elsewhere–to the grand spectacle that is opera.
I couldn’t have agreed more with the analogy. Truly, this evening’s event–with the pitcher in question having taken well over an entire season off for possibly career-ending surgery–was a story writ large. A gran scena.
For stellar moments in sports history as well as those in the arena of musical performance, the crowd simply cannot contain itself. ”Jo- han! Jo- han!” or “Bravi! Bravi!”: the intensity and the passion are one and the same. And the thrill of having shared that athlete’s/musician’s professional milestone is something to cherish and to be retold–in the dramatic and theatrical manner appropriate to the occasion.
“I’ve always been interested in professional athletes like yourself who draw inspiration from the arts,” I began haltingly.
Hardly believing that I had been given the opportunity to personally address R. A. Dickey, I nervously continued, telling him that one of the highlights of my own professional career at the Metropolitan Opera was to have played a performance at which former First Baseman John Olerud and his wife were in attendance. After making note of his obvious respect and reverence for the classics of literature, I asked R.A. if there are other art forms or disciplines that hold his interest.
It was an AP course in Applied Art, with charcoal as his medium, which spurred his continuing interest in the visual arts, he answered. While on road trips, he said, he is now attuned to local cultural offerings and often frequents art museums around his work schedule. He also stated that he likes many genres of music. ”Good question,” he said in conclusion.
In a rather unusual promotion, the Mets had organized a “Q & A” with pitcher R.A. Dickey in conjunction with the recent release of his autobiography.
The event, which took place yesterday in the Press Room at Citi Field, offered each participant a chance to pose a question to the famed knuckleballer, an autographed copy of Dickey’s book, an all-you-can-eat buffet in the Champions Club, and a ticket to the game. (The game, by the way, turned out to be a lot more than one of the incidentals of the package: my family and I made the acquaintance of distinguished blogger Greg Prince and were the recipients of an autographed copy of his own book, Faith and Fear in Flushing, as well as his delightful companionship for the game itself.) Although the media were present, the ground rules had been stated at the beginning: this was an event for the fans; it was our questions that would be addressed. Dickey even expressed his personal gratitude for us showing an interest in him and his book before even opening up the floor to questions.
Having had that clarified at the outset and knowing that this event was centered around Dickey’s literary prowess, I suppose I should not have been surprised at how many of the questions that were posed from some of the one hundred or so gathered in the small room were, like my own, of a personal nature. And maybe–having met R.A. previously at a “Meet and Greet” with players in the Caesar’s Club last season and having heard him speak in post-game interviews–I equally should not have been surprised at how candidly and unswervingly Dickey responded to personal questions.
Regardless, I was surprised, particularly with Dickey’s forthrightness.
The more I heard the man speak, the more incredulous I became. I wondered: how could the Mets have managed to acquire such a find?!
What the Mets have in R.A. Dickey is, first and foremost, a first-class gentleman. He is also a self-effacing, humble man, a stellar scholar and philosopher, published author, dedicated philanthropist…and, oh yeah, a player just named National League Player of the week and the starter currently possessing the best record in the rotation. And yet, with yesterday’s questions and answers pertaining to matters such as Medieval literature, psychological counseling, the psychological effects of severed or strained family relationships, and the profound effect that Ernest Hemingway’s imagery of Mt. Kilmanjaro had upon him as a seventh-grader, it was the direct questions about baseball itself that actually were disconcerting to me.
It was not that questions regarding the mechanics of his specialty pitch or about his personal knuckleball mentors or the size one’s hand needs to be to successfully throw a knuckleball were inappropriate. Nor was R.A. hesitant in any way to fully address these questions. It was rather that, with the line of discussion primarily centering around more universal themes, general life experiences, and personal philosophies, I found myself forgetting that the person at the front of the room was someone whom I first came to admire for his athleticism.
I found myself thinking, “Oh. Right. This guy pitches for us!”
One of the last run of performances that I had the pleasure of playing this season at the MET was of the opera Billy Budd, composed by Benjamin Britten, with a libretto by E.M. Forster and Eric Crozier. It is based upon the novella by Herman Melville. Faithful to the novel, Britten’s Budd is a new recruit whose optimism and naiveté are a welcome palliative to the dreary life aboard the SS Indomitable experienced by his fellow sailors. While those same qualities–or his response to them–eventually prove threatening to the Master-at-Arms, John Claggart, his response upon meeting the newest seaman pressed into service shows his discernment of Billy’s unique personal attributes:
A find in a thousand…
A beauty, A jewel.
The pearl of great price.
There are no more like him! I’ve seen many men, many years have I given to the King, sailed many seas.
He is a king’s bargain.
From the world that is professional baseball in America today, a culture where prospects are often scouted before even finishing high school, much less completing a college degree, comes this man of Letters–not just those on the back of his uniform.
Tired from a day of travel and lost in thoughts of the wonderful vacation in San Francisco from which I was returning, I had a real awakening on Monday afternoon while on the mini-bus from the Jet Blue Terminal at JFK to the off-site parking facility where my family and I had parked our car before our trip.
My family were the only passengers on the mini bus until a family of four–a young couple with two children under eight or so–boarded when the bus made an additional stop. I don’t remember how the conversation got started…maybe it was the Mets shirt my husband was wearing. Anyway, they were informed that we had just returned from San Francisco where we had seen the Mets play three game and, I told them, it had been MUCH cooler. I remarked how hot and humid it was in New York, but how it was supposed to be even hotter for the Home Run Derby in Phoenix that night and the All-Star Game the following evening.
We then learned that the family had just returned from an enjoyable vacation in Barbados–during the husband/father’s two-week leave from Afghanistan.
As we all exited the bus, I thought back on my part of the conversation and felt embarrassed that I had been complaining at all about the heat of Phoenix, much less New York. As we all stood beside the mini-bus waiting to collect our bags, I asked the gentleman, “Is it really hot in Afghanistan?” He told me that he had seen temperatures of 130 degrees, but that what made it even worse was that the equipment he has to wear traps body heat and adds to the temperature (not to mention the weight.)
Ashamed of having previously alluded to any discomfort because of the change in climate, I told the young gentleman, “You all are the TRUE All-Stars and real heroes. Thank you for all you are doing.”
Our family wished theirs a safe trip home, and we added that we hoped that the young soldier might be coming home permanently from Afghanistan very soon.
It was a sobering moment. The stressors awaiting each of the members of my family upon our return from a leisurely vacation now seemed so trivial, so inconsequential. Any sadness or regret we had about returning to our regular routines was quickly displaced by the realization of the inevitable sadness and anxiety that that young wife and her children would be experiencing all too soon as they said goodbye–again–to this soldier.
I’ve always been glad that the Mets honor a veteran at every home game as part of the “Welcome Back, Veterans” program. And I always applaud the day’s soldier as he or she is recognized in the third inning of the game. But since this chance encounter, I have applauded more loudly and with even more appreciation and gratitude for each soldier’s sacrifices.
Coincidentally, my “warmer welcomes” this past weekend coincided with the appearance at Citi Field of U.S. Army Staff Sergeant Leroy Petry. On Tuesday, Petry became the second living active-duty service member to receive a Medal of Honor for actions in the Iraq or Afghanistan wars. Petry earned the prestigious award and a lunch date with President Obama for his courageous actions in Afghanistan on May 26, 2008.
The details of Petry’s heroism have been detailed everywhere, including this quote from a story on MLB.com:
Though shot in both legs during a mission, Petry managed to make his way to an enemy hand grenade and throw it away from himself and two fellow Rangers. Though he managed to save his peers, Petry had to have his right hand amputated afterward and now uses a prosthetic.
Have you ever heard a baseball bat make beautiful music?
New York Mets Outfielder Carlos Beltran has.
I had the pleasure of hearing an excerpt from my most recent blog post featured on-air on CBC Radio 2 this past weekend.
Apparently, hosts of the weekly program “In Tune” discovered my blog in the Internet universe and found it interesting enough to mention on-air during the hour-long show.
Having worked previously as a classical music announcer for two different NPR affiliates for some years, as I listened to the host’s voice and my own on my computer, I couldn’t help but think that with this most recent recognition, it was almost like I’d come full-circle.
While an undergraduate music major at Wichita State University (Mike Pelfrey’s alma mater as well), I began working at college radio station KMUW-FM as a classical music announcer. The staff there found it far easier to train music students in the intricacies of running the board and other technical matters than it was to train Radio-TV/Communications majors to pronounce foreign words and names. Music majors like myself could usually be relied upon not to flinch from the sight of nor massacre composer names like Antonín Dvořák or Dieterich Buxtehude or names of compositions like Verklärte Nacht or Prélude à l’après-midi d’un faune.
Ten years later, I was grateful to win my first orchestral audition–for the position of Principal Oboe with the Spokane Symphony–but needed to augment my orchestra salary through part-time employment. I sent an air-check, got my radio chops in shape once again, and began work at KPBX Spokane Public Radio an announcer. Before I left for New York and the Metropolitan Opera, I had gone from a few hours a week to a position as the regular weekday afternoon on-air classical music host.
Now–almost twenty years after moving to New York, marrying and thus becoming a Mets fan, and bidding radio adieu, my voice could be heard–briefly–over the airwaves in Canada and via the Internet everywhere once again. My blogging about baseball had put me on-air once again.
For me at least, in this digital age, it truly is “all connected”.
What comes to your mind when Jose Reyes…
- …hits one of his signature triples?
- …steals yet another base?
- …flashes that infectious smile?
- …has yet another multi-hit game?
The first thing you probably think–as I do–is, “We HAVE to SIGN HIM!!“
But sometimes, watching Jose in action reminds me of another exciting performer.
In the world of opera.
He seemed like a mensch.
I wish I could tell you more about him, but I only met him five days ago.
And now he’s gone.
Dana Brand was a professor at Hofstra University, an avid Mets fan and blogger, an author of two books on the Mets, a husband and father.
In the relatively small subset of Mets fans that is the blogging community, he was a collaborator with and supporter of many and a mentor to all.
As much as I loved reading his writing, it was even more of a delight to speak with him face to face on Saturday night.
My family and I, along with dozens of other Mets fans, were at Foley’s Sports Bar in Manhattan Saturday night for a charity event sponsored by the foundation of SNY-TV announcers Gary Cohen, Keith Hernandez, and Ron Darling.
As much fun as it was to see the likes of Cohen and Darling tending bar and having them each pour a drink for me, the true highlight of the evening for me was the fact that I left that intimate gathering of like-minded people feeling that I had made a new friend: having recognized Dana from photos on his blog, I tentatively introduced myself. I needn’t have shown such temerity: he enthusiastically greeted me by name and told me how much he enjoyed reading my blog posts–a real compliment coming from someone with his literary credentials!
After introducing him to my family, the four of us talked about everything from the special relationships that can develop between fathers and daughters, the operas he had seen at the MET, as well as my daughter’s experiences in the MET Children’s Chorus. Clearly, he was interested in getting to know us better personally.
When the subject did turn to the Mets, he excitedly told us of a special event he was planning in celebration of the fiftieth anniversary of the Mets franchise to be held at Hofstra University. Dana seemed just as interested in sharing mutual remembrances of Mets history brought up by my husband Garry–a Mets fan from the team’s beginning and of Dana’s same generation. Garry enjoyed having the opportunity to tell Dana personally how much he had enjoyed reading both of his books.
I sensed Dana was appreciative of the favorable comments about his work. But Dana seemed to take particular delight when Garry turned to our daughter Melanie and, while pointing to Dana, informed Melanie, “This guy was THERE for Agee’s home run. He SAW it!!”
It was with obvious pride that Dana later introduced us to his lively, charming daughter and sister. As much passion and zeal as he obviously had for his team, it was very clear what a devoted and proud father he was as well.
Before we left Foley’s that night, we exchanged contact info with Dana, promising to meet up at Citi Field at a game in the near future.
It truly felt like we had met a real kindred spirit, and all of us agreed that we were so glad that we had made his acquaintance.
Dana passed away suddenly yesterday afternoon. I learned this early this afternoon through a Mets blog. Within a matter of hours, the sad news passed through the Twitter community and has resulted in countless other blog posts in honor of Dana. Word had obviously made its way to the SNY TV booth at Wrigley Field in Chicago as, watching this afternoon’s game on TV, we heard Gary Cohen make a brief tribute, mentioning Dana’s passing and what a devoted fan, blogger, and author he was.
In reading these blog posts, it is clear to me that I missed a real opportunity not having made Dana’s acquaintance sooner. He was obviously a person who had been a positive influence in many, many lives.
My family and I wish to add our condolences to Dana’s family and friends.
A recent New York Times sports article inspires the retelling of a story from opera.